"Green
Muscles!
Lou
Ferrigno Tells All About His Strength, His Career, His New Identity"
"The
Hulk", Marvel Comics Group. Issue #12. December, 1978.
Pages 33-36
Transcribed
by Mark Rathwell
Marvel:
When did you first hear of the Hulk?
Ferrigno:
I was an avid Marvel Comics reader for years when I was younger.
I started getting involved in body building because I wanted to
look the part of a super-hero, so it's really great that when
Universal was looking for someone to play the Hulk, they asked
me!
Marvel:
How did they pick you?
Ferrigno:
I've made a name for myself in the body-building world - I was
Mr. Universe for 1973 and 1974. I also won the ABC SUPERSTARS
Sports Preliminary in 1975, and I used to play pro football for
the Toronto team in Canada.
Marvel:
You mentioned being a Marvel Comics fan?
Ferrigno:
yeah! I read them all the time, up until I was about 17 or 18
years old, but I don't read them as much now, mostly because I
don't have the time. But I used to be a big comics collector,
and if I run across a Hulk comic book, I'm still not ashamed to
read it. I've always liked the Hulk.
Marvel:
What's your prior acting experience?
Ferrigno:
I had a part in PUMPING IRON, the documentary drama on body-building.
And I was supposed to co-star with Sylvester Stalone in a film
he recently completed called PARADISE ALLEY - but because of my
obligation to the HULK TV series, I had to back down.
Marvel:
How do you feel about portraying the Hulk?
Ferrigno:
It's kind of like playing a primitive creature, because he's almost
like a newborn baby. Besides being a large, strong man, he's just
very simple. He doesn't know how to read or write. Kenny Johnson,
who produced the Hulk TV series, introduced me to former actors
who helped me get across a sense of anger and a sense of intense
emotion. The great part about the Hulk is his emotional side.
He's not at all like the Frankenstein monster; the Hulk's more
a creature of sheer emotion. It gives me great range, because
in portraying the character, as big as I am. I get the chance
to show that I can do many different things - from really physical
stunts to expressing strong emotion. For years, big guys like
me - the body builders - were condemned for merely being muscle-bound
and nothing more - but with this show, I exploded that myth. So,
to be accepted on TV in my role as the Hulk is very satisfying.
Marvel:
How does the role compare to your previous screen efforts?
Ferrigno:
Well, PUMPING IRON dealt with the sport of body-building, whereas
THE INCREDIBLE HULK gives me the opportunity to play a character.
It's acting and I love to act.
Marvel:
Have any of the stunts you've done as the Hulk been especially
difficult?
Ferrigno:
Only the high jump. I just don't like heights. I do all the stunts
myself, but for the sake of the series, it's very dangerous not
to have a double because some of the stunts are dangerous, and
if I get hurt, then it could really stop the show. The most difficult
location show so far was the one we shot in New York, at Times
Square. It wasn't planned that I would have to run through that
much traffic, and when I had finally finished with it, I was surprised
I hadn't wound up in a wheelchair or something! Another time,
for the episode called "Never Give A Trucker An Even Break," we
worked in the mountains at about 4000 feet above sea level. I
had to grip a phone pole and break it in half just in front of
this truck, and the way we did the stunt was just beautiful. I
feel we should always do different stunt-work from week-to-week
to hold the interest of the people watching. I'm working right
now with Frank Orsatti. He's a stunt coordinator and he's really
the best in the business. He doubled for Bill Bixby and did stunts
on THE MAGICIAN. He's really done a lot for the show. He's a genius.
Marvel:
How is the transformation from Bruce Banner to the Hulk effected?
Ferrigno:
Some of the Hulk's parts, like the nose, are made to fit Bill
Bixby; so what happens is that after several stages of the transformation,
they slap a nose-piece on him and wrinkle his forehead a bit.
Then, they switch to me, and slap a whole headpiece and nosepiece
on me. The job is so well done by the makeup man that even off
the set it looks real! They even apply a water-proof paint over
the make-up -- it's really amazing.
Marvel:
How long does it take to get made-up?
Ferrigno:
To begin with, an hour and a half for my face, and another forty-five
minutes on my body - which takes four coats of make-up. They've
got to spray me down with fixer-spray. It's a plastic spray that
creates a sheen, makes the muscles shiny. Then, before they shoot,
they half to put in the special contact lenses that cover the
full surfaces of my eyes, but have little holes in the middle
for the contact lens itself. Then, a mouthpiece is inserted that
clamps to my gums. I'm a completely different creature by the
time it's all done.
Marvel:
Does it get uncomfortable?
Ferrigno:
After about fifteen hours. I'm used to it by now. I had some problems
at first, like skin suffocation and dry skin, but now I use face
cream -- and the other problems have been solved, too. But it
takes forty-five minutes to wash it all off! People get tired
of me getting green all over everything at home, so I have to
wash long and carefully (laughter). I do put in a long day, but
I think it's worth it.
Marvel:
Would you briefly outline a day's shooting schedule?
Ferrigno:
Believe it or not, sometimes I start work at 5 o'clock in the
morning! I don't get home until 10 o'clock in the evening. Not
only that, but I have to train two hours a day in the jim to maintain
my body's physical condition. It can be really rough, at times,
but it's all part of the job. And I think it pays off with a quality
program.
Marvel:
Would you like to make any changes in the way you play the Hulk?
Ferrigno:
Sure. I think the Hulk should be able to talk. Also, I don't like
the voice they over-dub now for the growls because I think it's
too powerful -- too animalistic. And the one think I still don't
like about the make-up is the nose - it's too big. I think they
should use my nose instead!
You
need a little of that prehistoric look around the forehead, just
to keep the difference of the change, but he shouldn't be as scary
looking as he is right now. Other than that, everything's fine.
But I really think the Hulk should be speaking. In a later show,
a woman could teach him how to talk, since as the series goes
along, he's starting to realize the difference between crime and
justice and the good and bad guys. I think it would be a big thing
if he could talk, like he does in the comics. I get a lot of fan
mail, and kids tell me that they really want to hear the Hulk
talk.
Marvel:
What's the mail been like?
Ferrigno:
Tremendous. It gives me a life because they all really love the
Hulk. The fans think - and its my opinion, too - that the TV portrayal
is almost as good as the comic book. The important thing is that
we didn't want to make a camp show out of it - THE INCREDIBLE
HULK TV show is very dramatic and very realistic. You wouldn't
believe how many letters I've received - or how many photos of
myself as the Hulk that I've sent out. It's a really good feeling.
Marvel:
What do you think of the idea of TV adaptations of comic characters?
Ferrigno:
I think it's very good. It's great for the kids, and for the
older people, as well, because you can get your frustrations out
by watching. The HULK TV show is well-thought out, we've got some
really good scripts coming up now, and everyone is pleased with
it. In the beginning, we had a rush on the scripts, because it
was a last minute decision to make a mystery series out of THE
Hulk. But as we go along, the deadline problem will be fixed,
we won't suffer in the story because of it, and the series will
get better.
Marvel:
sounds like a familiar situation to us here in the Bullpen! We
call it the Dreaded Deadline Doom (laughter). How are the ratings
holding up?
Ferrigno:
Right now, we're the #1 show, the top show for Universal! Everybody
who's working on THE INCREDIBLE HULK is very delighted. The crew
is tremendous. There were times - like when I was working out
in the cold, in damp weather, and the snow, that they really went
out of their way to help. Everyone on the set co-operates, not
just the directors and actors. There's really a family type of
feeling. I have to say that 50% of the show's success owes to
the crew.
Marvel:
How do you and Bill Bixby work together?
Ferrigno:
Very well. He gave me a lot of tips and ideas of how to portray
the Hulk. Being a director himself, he really knows what the business
is all about from both sides of the camera. I really like working
with him a lot.
Marvel:
Have you made any personal appearances as the Hulk?
Ferrigno:
Several. I made one in Boston at an automobile show, some in New
Jersey and there might be one in Houston, Texas that'll be tied
in with Marvel.
Marvel:
Is acting your only avocation?
Ferrigno:
No. I've got a body-building center in New York that's run by
my father and brother. We're going to open a branch in New Jersey
soon. It's a sports center to help young kids get started in weight
training and other body-building activities.
Marvel:
What was your family's reaction when you got the role of the Hulk?
Ferrigno:
It was almost like a dream come true for them. They were very
excited about it. They remembered I had read the comic when I
was growing up and were very happy for me when they saw one of
my ambitions come to life. And, as for the friends I grew up with,
who read the HULK comic with me - it really blew their minds!
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